From Chapter 3:
Trickery of another kind is revealed in a scene in Chapman's play "A Humorous Day's Mirth," 1599. A customer at an ordinary says: "Hark you, my host, have you a pipe of good tobacco?" "The best in the town," says mine host, after the manner of his class. "Boy, dry a leaf." Quietly the boy tells him, "There's none in the house, sir," to which the worthy host replies sotto voce, "Dry a dock leaf." But the diner's potations must have been powerful if they had left him unable to distinguish between the taste of tobacco and that of dried dock-leaf.

From Chapter 3:
It is a little curious, considering the devotion of latter-day men of letters to tobacco, that in their early days so many of the men who wrote on the subject attacked the social use of tobacco with violence and virulence. Perhaps, courtier-like, they followed the lead of the British Solomon, King James I. Their titles are characteristic of their style. A writer named Deacon published in 1616 a quarto entitled "Tobacco tortured in the filthy Fumes of tobacco refined"; but Joshua Sylvester had easily surpassed this when he wrote his "Tobacco Battered and the Pipes Shattered about their Eares, that idely Idolize so base and barbarous a Weed, or at least overlove so loathsome a Vanity, by a Volley of Holy Shot Thundered from Mount Helicon," 1615. Controversialists of that period rejoiced in full-worded titles and in full-blooded praise or abuse.

From Chapter 8:
In the fashionable world the snuff-box was all-powerful. The Prince Regent was devoted to snuff, but disdained tobacco. He had a "cellar of snuff," which after his death was sold, said John Bull, August 15, 1830, "to a well-known purveyor, for £400." Lord Petersham, famous among dandies, made a wonderful collection of snuffs and snuff-boxes, and was curious in his choice of a box to carry. Gronow relates that once when a light Sèvres snuff-box which Lord Petersham was using, was admired, the noble owner replied, with a gentle lisp—"Yes, it is a nice summer box—but would certainly be inappropriate for winter wear!" The well-known purveyor who bought the Prince Regent's cellar of snuff, and who bought also Lord Petersham's stock, was the Fribourg of Fribourg and Treyer, whose well-known old-fashioned shop at the top of the Haymarket, with a bow-window on each side of the door, still gives an eighteenth-century flavour to that thoroughfare. All the dandies of the period were connoisseurs of snuff, and imitated the royal mirror of fashion in their devotion to the scented powder. Young Charles Stanhope wrote to his brother on November 5, 1812—"I have learnt to take snuff among other fashionable acquirements, a custom which, of course, you have learnt and will be able to keep me in countenance." But no dandies or young men of fashion smoked. Tobacco, save in the disguise of snuff, was tabooed.

From Chapter 9:
One of these old brass penny-in-the-slot tobacco-boxes was included in the exhibition of Welsh Antiquities held at Cardiff in the summer of 1913.

In the Colchester Museum is an automatic tobacco-box and till of japanned iron. On the lid of the box is painted a keg of tobacco and two clay pipes; and on that of the till the following doggerel lines:

A halfpeny dropt into the till,
Upsprings the lid and you may fill;
When you have filled, without delay,
Shut down the lid, or sixpence pay.